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“31st October” Movie Uncensored Scenes leaked

Posted on by Aditi Malhotra
In the light of the On going PIL filed against the film “31st October” starring Soha Ali Khan and Vir Das over the alleged use of certain political leaders lookalikes making inflammatory statements, a video has surfaced on the Internet that shows the alleged scenes . In a video of about a minute , you can see the lookalikes of two politicians from a political party inciting the crowd to target people of a particular religion and “finish” them.
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Film 31st October is based on the aftermath of  Prime Minister Indira Gandhi Assassination and the 1984 Anti Sikh riots that followed which resulted in the loss of thousands of lives. The film was stuck for months in censors and had gotten a clearance to release only after multiple cuts. The PIL against the film was filed on September 28 and was rejected as the petitioner did not approach the Central Board of Film Certification (CBFC) before moving the court. A few days a later a video started doing rounds on social media with title ” Leaked Scenes of “31st October” Movie exposed Congress hand in 84 Sikh Riots”
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Writer Producer Harry Sachdeva claims that this “leak” is a conspiracy to help the petitioner to refile the PIL and to create delay in the release of the film. He has however declined to confirm whether the scenes are a part of “31st October” film.
Incidentally , Same day on Wednesday the PIL was resubmitted to the court. However the petitioner Ajay Katara , who is also the prime witness in the famous Nitish Katara Murder case has denied any involvement in leaking the alleged video. 
 
This year has seen a lot of films being leaked and even though censor board has claimed to have opted for more security measure, the films continue to be leaked at will. Film “31st October” which was scheduled to release on October 7th has already been pushed two weeks to October 21st . The producers havn’t announced any further change in date so far. 
Here is the video of the leak

‘31st October’ Makers To Donate Part Of Box-Office Collections To 1984 Widow Colony Residents

Posted on by Aditi Malhotra

The makers of upcoming dramatic thriller ‘31st October’ starring Vir Das and Soha Ali Khan, which is based on a Sikh family’s struggle for survival during the 1984 anti-Sikh pogrom, have decided to donate a portion of their box-office collections for a noble cause.

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It seems that a part of the collections will be donated to the Widow Colony in Tilak Vihar, Delhi, which provides shelter to thousands of families affected during the 1984 anti-Sikh pogrom in the aftermath of the assassination of the then Prime Minister Indira Gandhi.

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The film team had visited Widow Colony while preparing for the film and had spoken to many residents there to get an idea of the situation during the 1984 riots. Needless to say, the incidents that the residents shared with the film team moved them to such an extent that they decided to do something for them.

 

Confirming the same, writer-producer Harry Sachdeva said, “When we visited the Widow Colony for research purposes for our film, we were so emotionally overwhelmed at the plight of the families residing there that we decided to share a part of the revenue collected from the film with them.”

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Produced by writer-producer Harry Sachdeva and Magical Dreams Productions Pvt Ltd, co-produced by Anand Prakash, directed by National award winner Shivaji Lotan Patil, and released by Panorama Studios, ‘31st October’, which is slated to release on October 21,  is a glimpse into the  controversial dark chapter of India’s History.

Background: “31st October” is the first ever Bollywood film on the aftermath of Indira Gandhi’s Assasination and the Anti Sikh Violence that followed.
Check out the trailer here

Star World and Star World HD Bring Back QUANTICO Season 2…!!

Posted on by Aditi Malhotra

Star World and Star World HD, organised a special screening of Quantico Season 2 at Hauz Khas Social. The screening was for a selected few media people and the best thing about the screening was that we got to see the first episode of Quantico Season 2, an hour before the nationwide telecast.

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The evening began with a small quiz on Quantico and three lucky winners got a chance to grab cool headphones from Star World. Next was a video message by Priyanka Chopra followed by the screening of first episode.

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For us Indians, the most important part of Quantico is presence of our very own Priyanka Chopra. Awesome is the word that comes to mind when you see her perform with so much ease and poise. She makes India proud by making her presence felt on the International platform. To be cast for the Season 2 speaks volumes for her popularity and talent.

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Going by the first episode, which was gripping, thrilling, exciting, intriguing and much more, I am sure that season 2 has a lot more to offer than season 1. There will be much more secrets, action and thrill, and I am so looking forward to the entire season. Cant wait for the second episode. If you are Priyanka Chopra fan, you will love her more, if not, watch this and you will fall in love with her. She is just amazing.

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If at all you have missed the first episode, don’t repeat your mistake, catch Quantico every Monday at 9PM on Star World and Star World HD. Its worth keeping your Monday nights free for this immensely promising season 2 of Quantico.

I am grateful to Star World and Star World HD for inviting me for this special screening and making me realise what I missed the last season. But not anymore, I will be glued to my TV screen every Monday..and hope you do the same!

Happy Viewing 🙂

 

Book Review: When Arya Fell Through The Fault

Posted on by Sunil Malhotra

This is a book by Reenita Malhotra Hora who is an award winning broadcast journalist,Ayurveda clinician and author of books on Ayurveda and Finance.
Operation Mom:How I Got my Mother a Life and Man her debut fiction novel has been widely acclaimed and recognized as a must-read young adult book written by an Indian author.

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When Arya Fell Through The Fault is her second release in this genre.Reenita anchors a popular morning programme on Hongkong’s RTHK Radio 3.Her weekend storytelling show,Asian Threads won her a Gold Trophy at the New York festivals International Radio Programmes Awards.

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A native of Mumbai,she currently lives in Hongkong with her family.
The book essentially is the growing up tale of a twelve year old Arya a “Brownie” from San Francisco who is continuously ridiculed by his schoolmates be it for his color to his ethnic traditional food.
The boy has been brought up at home on traditional,fascinating and magical mythological stories by his ever cheerful Mom more precisely the Ramayan.
It is a tale of a typical child who is ridiculed by one and all and his endeavor by any means to get rid of the Brownie image by any means
His frustrations and trials and turbulations are aptly described.
In the eagerness to be accepted by others he takes to the path of evil despite his mothers stern warnings.
It so happens that he becomes the cause of a severe accident which leaves his mother in a state of coma.
The one thing Arya holds on to dearly is his mothers copy of the Ramayana.
From hereon the author very cleverly juxtaposes the young Aryas fight against evil through the characters of the Ramayana.
Does good prevail over evil,Is Arya able to save her Mom while fighting his own demons makes for a very interesting read.
Grab a copy and get ready to be transported to the glorious era of Ramayana.
Fascinating Read.
Highly recommended.

Available on Amazon

Price: Rs 125/-

Rating: 4/5 stars

India Film Project 2016 is all set to woo the film making fanatics

Posted on by Aditi Malhotra

Time to toil and rack your brains to brew a perfect film is here! Yes, we are talking about India Film Project which is back with a bang with scaled up challenges and opportunities. India Film Project, Asia’s largest film festival challenge, encourages people to make films and this year will be its sixth edition. IFP is one of the rare platforms, which is focused at content creation rather than content consumption. The grand film event has now moved to the film making capital of country, Mumbai and will be held on October 01 at Hall 6, NESCO Goregaon.

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The prestigious India Film Project is a filmmaking challenge with a twist where participants from across the globe create a film on a given theme but in a time-limit of 50 hours, starting from September 16, 8pm to September 18, 10pm. The teams will script, shoot, edit and upload the films, which post the submission will be viewed by an unparalleled jury. The winning films will be showcased at different festivals globally. The event will also witness some of the best content creators on one, huge, prominent platform, the schedule of which shall be announced shortly.

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IFP 2016 Highlights:

  • The upcoming IFP 2016 festival will see a confluence of India’s best filmmakers coming together under one roof. More than 5000 filmmakers from different cities will fly down to attend this gala
  • The number of applicants in the sixth edition of IFP is expected to be higher than the combined number of the previous 5 editions
  • 890+ teams, comprising of 17,500 filmmakers, have already registered for IFP 2016 and the number is estimated to multiply in another 2 days
  • 1300 teams comprising of 25,000 participating filmmakers from across the globe are expected to ferment films on one single theme in 50 hours.
  • The eminent jury for IFP 2016 is comprised of all National Award Winners – Madhur Bhandarkar, Nagesh Kukunoor, Sriram Raghavan and Southern Super director Vetri Maaran
  • A workshop on storytelling by the Terrible Tiny Tales team will also be organized for the selected teams

 

Participation Categories:

For a level-headed competition, IFP, this year has segregated participation into Professional Filmmaking, Amateur Filmmaking and Mobile Filmmaking category to ensure competition among similar caliber. Mobile Filmmaking will be introduced for the first time in India through IFP and give access to the masses to make films as well.

 

 

Judging Criteria:

Films at IFP 2016 will be judged on the parameters like relevance to theme and genre, storyline, screenplay as well as technical aspects like editing, cinematography and sound

 

IFP 2016 Grand Award:

The best deserving IFP 2016 Filmmaking teams will be given an honor to create an ad film for the renowned brands of Nestle and Coca-Cola. IFP will fund each team, ensure quality equipments and make the winners work closely with their advertising teams. The best works will then be showcased by brands across its various channels including TV, Digital assets, theatres and many more

 

IFP in last 5 years:

  • Around 2400+ films have been made by 25,000+ filmmakers in just 50 hours at the festival in the previous five editions of IFP, which comes to 17000+ minutes of super high quality films
  • IFP 2015 saw 730 teams comprising of 14,600 filmmakers. The teams were spread across 182 cities from India and another 17 countries namely US, UK, Dubai, Australia, Turkey, Pakistan, Bangladesh, Germany, Malaysia, France and many more
  • Participants have joined from 182 cities and towns like Malegaon, Rishikesh to cities such as Bilaspur, Bhavnagar, Ranchi, Lucknow and Madurai to the four metros

Mr. Ritam Bhatnagar, Founder, IFP comments, “In India, Film making has been limited to few and the niche only. With IFP 2016, segregating varied participation categories, there is a fair chance for people to partake in large numbers. I must emphasize that in the last 3-4 years, the ratio of content consumer to content creator has changed drastically. People now are open to sharing their stories, experiences and are not camera shy anymore. This largely supports our agenda where we encourage people to tell a story through their camera.”

He continues, “Participation by students, housewives and working professionals in IFP has made this art look ‘cool’ and much acceptable by the common masses thus prompting us to shift base to Mumbai. This city has unrestricted opportunities to connect with the maximum targeted audience and create round the year engagement with the thriving filmmakers.”

The electrifying event of IFP has some celebrated brands like Maggi Hot Heads, Limca, HDFC Bank and Gujarat Tourism as its sponsors. For added support, IFP has partnered with Radio Partner – RedFM; Media Partner – TVF; Online Partner – The Logical Indian; Cinema Partner – Cinepolis; Magazine Partner – Better Photography; Cab Partner – Uber and Festival Partner – NFDC Film Bazaar so far.

So, all the geeks dreaming of making a film, gear up to create one of your finest movies; you never know, your random imaginative storyline may place you on the highest pedestal of the Indian Film Making Festivals through IFP 2016!

Registration Date, Process and Fee:

  • Registration for the IFP 2016 is open till September 15 midnight via http://bit.ly/ifpwelcome.
  • One has to choose a participating category which cannot be changed later, though details of team members can be edited
  • Each team can accommodate up to 20 members
  • The fee for Professional and Amateur Film Making category is Rs. 2500 per team and Rs. 1000 for Mobile filmmaking category
  • For eligibility in the Professional filmmaking category, the team leader must have worked in capacity of director or producer in 3 or more films, shorts, videos or ads
  • Amateur filmmaking is open to anyone who owns a DSLR camera while Mobile filmmaking is open to all

Social Media Links 

  • facebook.com/indiafilmproject, twitter.com/ifilmproject, instagram.com/indiafilmproject,youtube.com/indiafilmproject and Website link – indiafilmproject.co

31st October Trailer Grips Social Media

Posted on by Aditi Malhotra
The newly launched “31st October” Trailer has generated quite a buzz on Social Media. Already anticipating a lot of polarizing opinions, the trailer has generated mostly praise and tweeples have identified its theme as surprisingly different and refreshing. Though based on the backdrop of PM Indira Gandhi’s assassination and the horrific Anti Sikh pogrom that followed , the trailer gives out a unique insight into the Film’s human story.
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Based on the fateful day of 31 st October 1984, The trailer zips through events of the day & leaves on a cliff hanger on the question of whether the family will survive the ordeal what will happen to them eventually. Already the trailer has received 2 Million hits on Youtube and Facebook with a high percentage of Likes and shares. Both Sikh and Non Sikh community has seemed to give its thumbs up to the Trailer direction & the dialogues which are being constantly termed as Powerful and Gritty. The cinematography has been praised and also the Musical score. All in all it looks like 31st October will give stiff competition at the Box Office on 7th October.
The film Stars Soha Ali Khan and Vir Das in pivotal roles & is being directed by National Award Winning Director Shivaji Lotan Patil. Distributed by Panorama Studios and Written & Produced by Harry Sachdeva, 31st october hits screens worldwide on 7th October 2016. I am so looking forward to it..!!

Kunal Kapoor starrer Veeram to open the first BRICS Film Festival

Posted on by Aditi Malhotra

Veeram is all set to roll out the first ever BRICS Film Festival, actor Kunal Kapoor and director Jayaraj Nair are excited to present their film Veeram as the opening night film. The festival will be held at Siri Fort, New Delhi from September 2nd to 6th 2016.
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A spectacular, larger than life magnum opus period drama set in the 13th century Kerala, Veeram resuscitates the real life character made famous through folklore literature and songs. Sharing broad similarities with the rise and fall of Macbeth, the film spans the journey of Chandu (Kunal), a Kalaripayattu warrior who meets a tragic end as an outcome of betrayal.


Leading man Kunal Kapoor shares his director’s fervour, “I’m very excited that we are premiering at the first BRICS Film Festival. We’ve put a lot of effort into making this film and I’m really looking forward to seeing how the audience reacts to it.”
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Talking about his film opening the festival, six times National Award winning director Jayaraj says, “I am happy and proud in presenting the first screening of my latest movie Veeram, an adaptation of Shakespeare’s Macbeth especially in this quadricentennial of the great writer. The BRICS honour makes VEERAM proud of Shakespeare, Kalari, Kunal and the team members”
Producers Chandramohan Pillai and Pardeep Rajan from Chandrakal Arts says, “Veeram reflects our heritage story which is similar to Macbeth , even today it is very much popular in Kerala by means of folklore or contained in a ballad.
Veeram will be releasing pan India later this year and has been shot in three different languages – Hindi, English and Malayalam with plans to further dub it in Tamil and Telugu.

Mon-Key Shanti Theatre Festival Day 2- Dance Like a Man

Posted on by Aditi Malhotra

The Mon-Key Shanti Theatre Festival by 3 Bells Productions truly came as something that provided me with a lot of man ki shanti. Spread over two days, it showcased 5 of the top plays of the country. I am glad that I managed to see at least 4 out of those 5. Day 2 on MSTF16 showcased ‘Uproute’(which I missed), ‘Dance Like a Man’ and ‘Massage’.

I cannot describe my experience of both these plays in one post and hence I am dedicating this post to ‘Dance Like a Man’ and would cover ‘Massage’ in the next post.

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I am doing so because both these plays were very different from each other and yet similar, as they had a strong message to give out. They rendered me speechless and now that I have found my words, here is a gist of what I saw and what I felt.

We often assume that men aren’t the victims of gender discrimination, it’s only the women who suffer, but it’s not true. Men also go through the agony of proving themselves on the yardstick of masculinity. Mahesh Datani’s ‘Dance Like A Man’ portrays just that.

Mahesh Datani in ‘Dance Like a Man’ has very beautifully shown the Indian culture and the social issues that have been in the society since inception. The theme of the play revolves around ambition, career, relationships, family responsibilities and society, all against the backdrop of dance as an art form.

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The play tells the story of three generations; Jairaj and Ratna, their daughter Lata and her finace Vishwas and also using the technique of flashback, Jairaj’s father Amritlal. Jairaj and Ratna have a constant conflict with Amritlal, who doesn’t understand their devotion to dance and more especially of Jairaj. As per him dance is made only for females and no respectable man will ever pursue a dance as his career or profession. He feared his son becoming womanly and hence it was unimaginable for him to see his son dancing.

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Dance had different meanings for different characters in the play. For Amritlal it was only a hobby that too for women and men shouldn’t pursue it at all. For Jairaj, it was a form of self-expression, and he wanted to develop a career in it. For Ratna, dance was her ambition, she had these slight shades of grey in her character, like she married Jairaj only because he was a dancer, as husband and wife they didn’t share a very loving relationship. In fact she even joins hands with her father in law in destroying Jairaj’s career as a dancer in order to pursue her own dreams. Ratna not only curbs jairaj’s ambitions and desires by constantly misleading him, but also moulds their daughter lata into becoming a traditional dancer. Lata on the other hand, though passionate about dancing, but did not think of it as a means to earn money or fame. For her dancing was an art form that she loved pursuing as a hobby. She had a balanced mind unlike her parents. She was strong headed too, she wanted to marry Vishwas but did not want to give up on her passion for dance. In the beginning of the play itself she once asks Vishwas if he would allow her to practice dancing after marriage.

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It’s indeed a beautiful play that touches hearts and brings in light the plight of our society and poses a question on gender discrimination. Datani has shown that not only women but also men suffer the burnt of gender discrimination and are not allowed to follow their passions if they aren’t accepted by the society. The actors are commendable. Each one of them seemed in the skin of the character. But a special mention for Gunit and Paras who played the roles of Lata and Vishwas and also the younger versions of Jairaj and Ratna. How comfortably they switched themselves from one role to another, it was a delight to watch. Also the director Prof. K.S. Rajendran’s  control over the entire play is just amazing.

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Prof. Rajendran teaches at the National School of Drama. He is a well known director of plays in various Indian languages.
His directorial work ranges from adaptations of Shakespeare, Brecht, Ionesco and Genet to contemporary playwrights and authors such as Omchery, Shankara Pillai, Shiva Prakash, Tendulkar, Alekar, Kambar, Indira Parthasarathy and Lalit Mohan Thapalyal, besides Sanskrit classics by Kalidasa, Bhavabhuti and Shudraka.
He has conducted workshops and lectured on theatre in India and abroad.
His noted productions include MARAT/SADE, UTTARA RAMA CHARITAM, GirishKarnad’s WEDDING ALBUM, MACBETH, AURANGZEB and VIKRAMORVASHIYAM.

If you have missed out on watching it this time, plus do catch up whenever the show happens next, I am sure you will love it as much as I did. I am thankful to 3 Bells Productions for organising such a great theatre festival and giving us an opportunity to witness something as beautiful and meaningful like this play.

S.O.A.R Success Over Adversity Reigns- Book Review

Posted on by Sunil Malhotra

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This is the second book by the author Abir Mukherjee who is an IT professional based in U.S.A.
The backdrop of the book is related to the IT industry.The three protagonists who come together in the book namely Uday, Adhyayan and Rajasekaran take you through a roller coaster journey of friendship, love, ambition and deceit.
The story rests on Uday’s dream of making it big. He hits upon a brilliant idea and leaves his job to pursue his dream. He ropes in his two friends Adhyayan aka Adi and Rajasekaran aka Raja to join him.
The three embark upon the journey which takes them through disappointments and trials and turbulations and breakups.
Then comes a huge shock as Uday gets embroiled in a case of cheating and is arrested.
Hearing the news Adi and Raja leave everything to be at his side forgetting the differences they had in the past.
The ensuing married life of Adi which suffers immensely due to the project and the new found love of Raja make a compelling parallel story.
Will Uday be cleared of the controversy, Will Adi’s married life get back on track and will Raja be able to marry his love, an outcaste marriage?
Grab a copy and find out. The book surely has some editing errors and could have been better in that area, nevertheless it makes a very interesting read for sure.

About the Author:

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Abir Mukherjee was born and brought up in Bardhaman, a small town of West Bengal. He is currently based in U.S.A having completed more than 8 years as an IT Professional. He has completed his B.E. in computer science and engineering in 2005 and started working in different software MNCs. ‘S.O.A.R’ is his second novel.Blackbuck Publication has published his first novel, ‘As Life Has No Undo’. He loves to sketch and write in his spare time. He writes to entertain people, not to teach them how to live life, how to be successful in life or any other philosophical lessons

Book Price: Rs 175/- available on Amazon

Rating: 4/5

Laughter Comes In Its Best Form At The Mon-Key Shanti Theatre Festival- Day 1

Posted on by Aditi Malhotra

Laughter truly is the best medicine, there can be nothing better than to hold on to your stomach and roll on the floor laughing to the content of your heart. But in today’s stressful life, laughter doesn’t come easy and at such a time the Mon-Key Shanti Theatre Festival by 3 Bells Productions came in as a perfect rescue. Its a two day long theatre festival that brings five of the country’s top running shows, not just comedy but also some soul searching dramas. This was the second season for the festival and I am sure it would be much more successful than their earlier edition.

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Today being the first day, two shows were planned and both were in the genre of comedy. The first play was ‘Perfect Wedding’. An English Comedy Play ‘Perfect Wedding’, directed by Dushyant Babbar is a laughter riot with chaos and confusion created by an appalling situation.

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A bridegroom wakes on his wedding morning in his own bridal suite, with his bride-to-be about to arrive any moment, and finds a strange girl in bed beside him. What’s more an extremely attractive girl whom, in the depths of his post stag-night hangover, he can’t remotely remember even having been introduced to. Worse – during the ensuing panic to get the stranger dressed and out of the way, the bride arrives, the girl is trapped in the bathroom, the best man pretends the hidden girl is his girl friend, his real girl friend has to be kept ignorant of the fact, and the hotel chamber maid gets mistaken for everybody’s girl friend. By the time the bride’s parents and half the hotel staff get in on the act, the chaos reaches nuclear proportions! It is that rare combination – a riotous comedy and a touching love story at the same time.

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Dushant’s direction and his acting, both were commendable. He was simply the show stealer with his spontaneous act. Also the show is written very well, the dialogues are real and one can easily relate to them, they are simple to understand and yet very impactful. I loved the play and thoroughly enjoyed the confusions. There was a subtle message in the play that one needs to really be very sure of the decisions we make in life and especially like getting married to someone. One should not just go by what others say but really evaluate if we have found the right person and then only take such a big decision of life.

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Written and directed by M. Sayeed Alam, a political science teacher-turned-full time-theatre practitioner ‘Cut…Cut…Cut’ was the second show of the evening and having seen Ghalib in Delhi by Sayeed Alam, my expectations from this show were super high and I wasn’t disappointed a bit. Slapstick comedy which is built in day to day situations is an art that Sayeed Alam captures very well in his plays.

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Tragedy for them…comedy for us ‘CutCutCut’ comically deals with the chaos, catastrophes and calamities that strike Pierrot’s Troupe whenever it rehearses a play.
In the process, the play brings forth funny characters; hilarious situations; comic relationships and bizarre events, besides taking an amusing look into many more problems that a theatre group faces.

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The play opens with the director being stressed and harassed rehearsing for his upcoming show with his bunch of actors and the script writer whose only job is to correct the horribly wrong accent or ‘Talafuz’ (as called in the play) of the actors. The ego clashes between the director and script writer leave people in splits. The comedy isn’t forced, but built in beautifully in the situations. As they day of performance comes nearer, the irritation of the director keeps increasing, and so does the chaos. Finally the day of performance arises and is showcased very beautifully with both back stage and on stage drama. How the director keeps improvising his actors and prompts them to do better, his frustration on their wrongs and constant contrast of backstage and on stage is sheer fun to watch.

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Harish Chabbra who plays the role of the director was truly the show stopper. His acting skills are remarkable and the ease that he brings about in his dialogue delivery and his comic timing is just super. Rest of the cast was commendable as well. I really enjoyed the show and look forward to more shows by Pierrot’s Troupe as I have become a big fan of Sayeed Alam’s direction.

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It was a Saturday well spent and I am so looking forward to the plays scheduled for tomorrow. If you have missed being at the Mon- Key Shanti Theatre Festival today, please don’t miss it tomorrow. They have some amazing shows lined up. ‘Uproute’ which is a physical theatre piece exploring the subject of home and exile, based on three of Miguel Cervantes’ Exemplary Novels. The performance consists of three short pieces that explore the aforementioned recurring themes in Cervantes’ writing.
Mahesh Dattani’s ‘Dance Like A Man’ centres on an individual’s plight, where a dying form of art serves as the backdrop.
And ‘MASSAGE’ that tells the story of Happy Kumar, a common man who comes to the big city of Mumbai with his pockets empty but dreams of becoming a hero. He passes through ups and downs, successes and failures, hope and despair, joys and sorrows, lanes and by lanes of the city. In this two-hour monologue, Rakesh Bedi enacts 24 different characters.

For tickets and other queries, do follow 3 Bells Productions and make most of The Mon-Key Shanti Theatre Festival.Enjoy!

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