“31st October” Movie Uncensored Scenes leaked

In the light of the On going PIL filed against the film “31st October” starring Soha Ali Khan and Vir Das over the alleged use of certain political leaders lookalikes making inflammatory statements, a video has surfaced on the Internet that shows the alleged scenes . In a video of about a minute , you can see the lookalikes of two politicians from a political party inciting the crowd to target people of a particular religion and “finish” them.
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Film 31st October is based on the aftermath of  Prime Minister Indira Gandhi Assassination and the 1984 Anti Sikh riots that followed which resulted in the loss of thousands of lives. The film was stuck for months in censors and had gotten a clearance to release only after multiple cuts. The PIL against the film was filed on September 28 and was rejected as the petitioner did not approach the Central Board of Film Certification (CBFC) before moving the court. A few days a later a video started doing rounds on social media with title ” Leaked Scenes of “31st October” Movie exposed Congress hand in 84 Sikh Riots”
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Writer Producer Harry Sachdeva claims that this “leak” is a conspiracy to help the petitioner to refile the PIL and to create delay in the release of the film. He has however declined to confirm whether the scenes are a part of “31st October” film.
Incidentally , Same day on Wednesday the PIL was resubmitted to the court. However the petitioner Ajay Katara , who is also the prime witness in the famous Nitish Katara Murder case has denied any involvement in leaking the alleged video. 
 
This year has seen a lot of films being leaked and even though censor board has claimed to have opted for more security measure, the films continue to be leaked at will. Film “31st October” which was scheduled to release on October 7th has already been pushed two weeks to October 21st . The producers havn’t announced any further change in date so far. 
Here is the video of the leak

India Film Project 2016 is all set to woo the film making fanatics

Time to toil and rack your brains to brew a perfect film is here! Yes, we are talking about India Film Project which is back with a bang with scaled up challenges and opportunities. India Film Project, Asia’s largest film festival challenge, encourages people to make films and this year will be its sixth edition. IFP is one of the rare platforms, which is focused at content creation rather than content consumption. The grand film event has now moved to the film making capital of country, Mumbai and will be held on October 01 at Hall 6, NESCO Goregaon.

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The prestigious India Film Project is a filmmaking challenge with a twist where participants from across the globe create a film on a given theme but in a time-limit of 50 hours, starting from September 16, 8pm to September 18, 10pm. The teams will script, shoot, edit and upload the films, which post the submission will be viewed by an unparalleled jury. The winning films will be showcased at different festivals globally. The event will also witness some of the best content creators on one, huge, prominent platform, the schedule of which shall be announced shortly.

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IFP 2016 Highlights:

  • The upcoming IFP 2016 festival will see a confluence of India’s best filmmakers coming together under one roof. More than 5000 filmmakers from different cities will fly down to attend this gala
  • The number of applicants in the sixth edition of IFP is expected to be higher than the combined number of the previous 5 editions
  • 890+ teams, comprising of 17,500 filmmakers, have already registered for IFP 2016 and the number is estimated to multiply in another 2 days
  • 1300 teams comprising of 25,000 participating filmmakers from across the globe are expected to ferment films on one single theme in 50 hours.
  • The eminent jury for IFP 2016 is comprised of all National Award Winners – Madhur Bhandarkar, Nagesh Kukunoor, Sriram Raghavan and Southern Super director Vetri Maaran
  • A workshop on storytelling by the Terrible Tiny Tales team will also be organized for the selected teams

 


Participation Categories:

For a level-headed competition, IFP, this year has segregated participation into Professional Filmmaking, Amateur Filmmaking and Mobile Filmmaking category to ensure competition among similar caliber. Mobile Filmmaking will be introduced for the first time in India through IFP and give access to the masses to make films as well.

 


 

Judging Criteria:

Films at IFP 2016 will be judged on the parameters like relevance to theme and genre, storyline, screenplay as well as technical aspects like editing, cinematography and sound

 

IFP 2016 Grand Award:

The best deserving IFP 2016 Filmmaking teams will be given an honor to create an ad film for the renowned brands of Nestle and Coca-Cola. IFP will fund each team, ensure quality equipments and make the winners work closely with their advertising teams. The best works will then be showcased by brands across its various channels including TV, Digital assets, theatres and many more

 


IFP in last 5 years:

  • Around 2400+ films have been made by 25,000+ filmmakers in just 50 hours at the festival in the previous five editions of IFP, which comes to 17000+ minutes of super high quality films
  • IFP 2015 saw 730 teams comprising of 14,600 filmmakers. The teams were spread across 182 cities from India and another 17 countries namely US, UK, Dubai, Australia, Turkey, Pakistan, Bangladesh, Germany, Malaysia, France and many more
  • Participants have joined from 182 cities and towns like Malegaon, Rishikesh to cities such as Bilaspur, Bhavnagar, Ranchi, Lucknow and Madurai to the four metros

Mr. Ritam Bhatnagar, Founder, IFP comments, “In India, Film making has been limited to few and the niche only. With IFP 2016, segregating varied participation categories, there is a fair chance for people to partake in large numbers. I must emphasize that in the last 3-4 years, the ratio of content consumer to content creator has changed drastically. People now are open to sharing their stories, experiences and are not camera shy anymore. This largely supports our agenda where we encourage people to tell a story through their camera.”


He continues, “Participation by students, housewives and working professionals in IFP has made this art look ‘cool’ and much acceptable by the common masses thus prompting us to shift base to Mumbai. This city has unrestricted opportunities to connect with the maximum targeted audience and create round the year engagement with the thriving filmmakers.”


The electrifying event of IFP has some celebrated brands like Maggi Hot Heads, Limca, HDFC Bank and Gujarat Tourism as its sponsors. For added support, IFP has partnered with Radio Partner – RedFM; Media Partner – TVF; Online Partner – The Logical Indian; Cinema Partner – Cinepolis; Magazine Partner – Better Photography; Cab Partner – Uber and Festival Partner – NFDC Film Bazaar so far.


So, all the geeks dreaming of making a film, gear up to create one of your finest movies; you never know, your random imaginative storyline may place you on the highest pedestal of the Indian Film Making Festivals through IFP 2016!


Registration Date, Process and Fee:

  • Registration for the IFP 2016 is open till September 15 midnight via http://bit.ly/ifpwelcome.
  • One has to choose a participating category which cannot be changed later, though details of team members can be edited
  • Each team can accommodate up to 20 members
  • The fee for Professional and Amateur Film Making category is Rs. 2500 per team and Rs. 1000 for Mobile filmmaking category
  • For eligibility in the Professional filmmaking category, the team leader must have worked in capacity of director or producer in 3 or more films, shorts, videos or ads
  • Amateur filmmaking is open to anyone who owns a DSLR camera while Mobile filmmaking is open to all

Social Media Links 

  • facebook.com/indiafilmprojecttwitter.com/ifilmprojectinstagram.com/indiafilmproject,youtube.com/indiafilmproject and Website link – indiafilmproject.co

Laughter Comes In Its Best Form At The Mon-Key Shanti Theatre Festival- Day 1

Laughter truly is the best medicine, there can be nothing better than to hold on to your stomach and roll on the floor laughing to the content of your heart. But in today’s stressful life, laughter doesn’t come easy and at such a time the Mon-Key Shanti Theatre Festival by 3 Bells Productions came in as a perfect rescue. Its a two day long theatre festival that brings five of the country’s top running shows, not just comedy but also some soul searching dramas. This was the second season for the festival and I am sure it would be much more successful than their earlier edition.

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Today being the first day, two shows were planned and both were in the genre of comedy. The first play was ‘Perfect Wedding’. An English Comedy Play ‘Perfect Wedding’, directed by Dushyant Babbar is a laughter riot with chaos and confusion created by an appalling situation.

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A bridegroom wakes on his wedding morning in his own bridal suite, with his bride-to-be about to arrive any moment, and finds a strange girl in bed beside him. What’s more an extremely attractive girl whom, in the depths of his post stag-night hangover, he can’t remotely remember even having been introduced to. Worse – during the ensuing panic to get the stranger dressed and out of the way, the bride arrives, the girl is trapped in the bathroom, the best man pretends the hidden girl is his girl friend, his real girl friend has to be kept ignorant of the fact, and the hotel chamber maid gets mistaken for everybody’s girl friend. By the time the bride’s parents and half the hotel staff get in on the act, the chaos reaches nuclear proportions! It is that rare combination – a riotous comedy and a touching love story at the same time.

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Dushant’s direction and his acting, both were commendable. He was simply the show stealer with his spontaneous act. Also the show is written very well, the dialogues are real and one can easily relate to them, they are simple to understand and yet very impactful. I loved the play and thoroughly enjoyed the confusions. There was a subtle message in the play that one needs to really be very sure of the decisions we make in life and especially like getting married to someone. One should not just go by what others say but really evaluate if we have found the right person and then only take such a big decision of life.

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Written and directed by M. Sayeed Alam, a political science teacher-turned-full time-theatre practitioner ‘Cut…Cut…Cut’ was the second show of the evening and having seen Ghalib in Delhi by Sayeed Alam, my expectations from this show were super high and I wasn’t disappointed a bit. Slapstick comedy which is built in day to day situations is an art that Sayeed Alam captures very well in his plays.

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Tragedy for them…comedy for us ‘CutCutCut’ comically deals with the chaos, catastrophes and calamities that strike Pierrot’s Troupe whenever it rehearses a play.
In the process, the play brings forth funny characters; hilarious situations; comic relationships and bizarre events, besides taking an amusing look into many more problems that a theatre group faces.

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The play opens with the director being stressed and harassed rehearsing for his upcoming show with his bunch of actors and the script writer whose only job is to correct the horribly wrong accent or ‘Talafuz’ (as called in the play) of the actors. The ego clashes between the director and script writer leave people in splits. The comedy isn’t forced, but built in beautifully in the situations. As they day of performance comes nearer, the irritation of the director keeps increasing, and so does the chaos. Finally the day of performance arises and is showcased very beautifully with both back stage and on stage drama. How the director keeps improvising his actors and prompts them to do better, his frustration on their wrongs and constant contrast of backstage and on stage is sheer fun to watch.

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Harish Chabbra who plays the role of the director was truly the show stopper. His acting skills are remarkable and the ease that he brings about in his dialogue delivery and his comic timing is just super. Rest of the cast was commendable as well. I really enjoyed the show and look forward to more shows by Pierrot’s Troupe as I have become a big fan of Sayeed Alam’s direction.

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It was a Saturday well spent and I am so looking forward to the plays scheduled for tomorrow. If you have missed being at the Mon- Key Shanti Theatre Festival today, please don’t miss it tomorrow. They have some amazing shows lined up. ‘Uproute’ which is a physical theatre piece exploring the subject of home and exile, based on three of Miguel Cervantes’ Exemplary Novels. The performance consists of three short pieces that explore the aforementioned recurring themes in Cervantes’ writing.
Mahesh Dattani’s ‘Dance Like A Man’ centres on an individual’s plight, where a dying form of art serves as the backdrop.
And ‘MASSAGE’ that tells the story of Happy Kumar, a common man who comes to the big city of Mumbai with his pockets empty but dreams of becoming a hero. He passes through ups and downs, successes and failures, hope and despair, joys and sorrows, lanes and by lanes of the city. In this two-hour monologue, Rakesh Bedi enacts 24 different characters.

For tickets and other queries, do follow 3 Bells Productions and make most of The Mon-Key Shanti Theatre Festival.Enjoy!

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